Bananagun move Brighton concert to The Hope & Ruin

Posted On 21 May 2021 at 9:04 pm

Bananagun have got your next Valentines Day sorted!

Last June saw the release of the much acclaimed debut long player from Australian outfit Bananagun which featured Nick Van Bakel (guitar, voice, flute, trumpet, harpsichord, percussion), Jack Crook (guitar, voice), Charlotte Tobin (percussion), Josh Dans (bass guitar), Jimi Gregg (drums), Pierce Morton (alto saxophone), Miles Bedford (tenor saxophone) and Zoe Fox (voice).

‘So Young Magazine’ in particular were raving about the album, which is titled ‘The True Story Of Bananagun’, saying “Nothing. No mind nor soul, creature nor critter on the surface no- face, of this entire solar system, is anywhere near as perfect as ‘The True Story Of Bananagun’. An immediate contender for ‘Album Of The Year’, there really is everything special about Bananagun.”

Uncut rated it 9/10 and said “They can’t help but sound addictively cheerful” , whereas Shindig Magazine gave them 5/5 and called them “Your new favourite band”. MOJO called them “Genuinely inspiring, the story of Bananagun is a great yarn.”

Bananagun’s debut album on trans red/yellow split colour splatter vinyl with accompanying 7” remixes single

The eleven track album can be purchased on trans red/yellow split colour splatter vinyl with accompanying 7” remixes single, or if you prefer normal black vinyl, they have that too as well as the option to purchase it on CD format or just download it. The gold vinyl and clear vinyl editions are sadly long gone. Order your copy from their Bandcamp page HERE.

The folks of Brighton & Hove will be able to make their own minds up about Bananagun, when they perform live at The Hope & Ruin on Monday 14th February 2022 – well that’s your Valentines Day evening sorted then!

The concert was initially announced as taking place at the Green Door Store, but it has now been switched to The Hope & Ruin, despite what the tickets may say!

You can purchase your tickets from Seetickets, Dice or Fatsoma.

Bananagun will be appearing at The Hope & Ruin, in Brighton on 14th February 2022

Let’s find out more about the intriguingly named Bananagun……

Hailing from Melbourne, but with a sound stretching from 60s and 70s afrobeat and exotica to Fela Kuti-esque repetition, the proto-garage rhythmic fury of The Monks and the grooves of Os Mutantes, there’s an enticing lost world exoticism to the music of Bananagun. It’s the sort of stuff that could’ve come from a dusty record crate of hidden gems; yet as the punchy, colourfully vibrant pair of singles ‘Do Yeah’ and ‘Out Of Reach’ have proven over the past 12 months, the band are no revivalists. On debut album ‘The True Story Of Bananagun’, they make a giant leap forward with their outward-looking blend of global tropicalia.

‘The True Story Of Bananagun’ marks Bananagun’s first full foray into writing and recording as a complete band, having originally germinated in the bedroom ideas and demos of guitarist, vocalist and flautist Nick van Bakel. The multi-instrumentalist grew up on skate videos, absorbing the hip-hop beats that soundtracked them – taking on touchstones like Self Core label founder Mr. Dibbs and other early 90’s turntablists.

That love of the groove underpins Bananagun – even if the rhythms now traverse far beyond those fledgling influences. “We didn’t want to do what everyone else was doing,” the band’s founder says. “We wanted it to be vibrant, colourful and have depth like the jungle. Like an ode to nature.”

Van Bakel was joined first by cousin Jimi Gregg on drums – the pair’s shared love of the Jungle Book apparently made him a natural fit – and the rest of the group are friends first and foremost, put together as a band because of a shared emphasis on keeping things fun. Jack Crook (guitar/vocals), Charlotte Tobin (djembe/percussion) and Josh Dans (bass) complete the five-piece and between them there’s a freshness and playful spontaneity to ‘The True Story Of Bananagun’, borne out of late night practice jams and hangs at producer John Lee’s Phaedra Studios.

“We were playing a lot leading up to recording so we’re all over it live”, van Bakel fondly recalls of the sessions that became more like a communal hang out, with Zoe Fox and Miles Bedford there too to add extra vocals and saxophone. “It was a good time, meeting there every night, using proper gear [rather than my bedroom setups.] It felt like everyone had a bit of a buzz going on.”


Tracks like ‘The Master’ and ‘People Talk Too Much’ bounce around atop hybrid percussion that fuses West African high life with Brazilian tropicalia; the likes of ‘She Now’ hark to a more westernised early rhythm ‘n’ blues beat, remoulded and refreshed in the group’s own inimitable summery style. ‘Freak Machine’ is perhaps the closest to those early 90’s beats, but even then the group add layers and layers of bright guitars, harmonic flower-pop vocals and other sounds to transmute the source material to an entirely new plain. Elsewhere there’s a 90 second track called ‘Bird Up!’ that cut and pastes kookaburra and parrot calls as an homage to the wildlife surrounding van Bakel’s home 80 kilometres from Melbourne.

Oh, and there are hooks galore too – try and stop yourself from humming along to ‘Out Of Reach’s swooping vocal melody.

Bananagun are first and foremost a band enthused with the joy of living and ‘The True Story Of Bananagun’ is an ebullient listen; van Bakel – as the main songwriter – is keen not to let any lyrical themes overpower that. There’s more to this record than blissed out grooves and tripped out fuzz though: ‘The Master’ is about learning to be your own master and resisting the urge to compare yourself to others; ‘She Now’ addresses gender identity and extolls the importance of people being able to identify how they feel. Then there’s closing track ‘Taking The Present For Granted’, which perhaps sums up the band’s ethos on life, trying to take in the world around you and appreciating the here and now.

A keen meditator, van Bakel says of the track: “so often people are having a shit time stuck in their own existential crisis, but if you get outside you head and participate in life and appreciate how beautiful it all is you can have a better time.”

Even the band’s seemingly innocuous name has an underlying message of connectivity that matches the universality of the music. “It’s like non-violent combat! Or the guy who does a stick up, but it’s just a banana, not a gun, and he tells the authorities not to take themselves too seriously.”

‘The True Story Of Bananagun’ then is perhaps a tale of finding beauty in even these most turbulent of times.

For more information on Bananagun, visit

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