David Gray is all ready and set to return to Brighton when he drops into the Brighton Dome Concert Hall on Tuesday 19th March. If you are thinking of going, then I would suggest snapping up the last few tickets from The Dome, which you can purchase HERE.
Last week David released his new album ‘Gold In A Brass Age’, which is his first album of new material in four years and it has landed in the UK Official Album Charts at No.21. The first single ‘The Sapling’ finds Gray in renewed creative form and was produced by Ben DeVries, son of producer and soundtrack composer Marius.
‘Gold In A Brass Age’ is defined by an intuitive approach from Gray, exploring new electronic textures and sound palettes, along with new production techniques in the process. Using a cut and paste approach to the arrangement of songs, the album’s atmospheric and experimental undertones are evident throughout. The album’s title is drawn from Raymond Carver’s short story ‘Blackbird Pie’, and informed by the regenerative cut and thrust of Gray’s adopted home of London and a fascination with the natural world which has long since consumed his time outside of music. The album’s striking artwork – for which Gray sought out Peckham-based tattoo artist London Boy – depicts an Emperor moth with the City of London captured between its wingspan.
Speaking about the creation of ‘Gold In A Brass Age’, Gray says; “With this album, my default position was to do everything differently. I didn’t think ‘this would be a good hook or ‘these lyrics could work for a chorus’. I was keen to get away from narrative. Instead of writing melodies, I looked for phrases with a natural cadence, so that the rhythm began with the words. I re-imagined where a song might spring from and what form it could take.”
Written in breaks between several month-long tour stints – which included a US co-headline run of shows with Alison Krauss – ‘Gold In A Brass Age’ sees Gray’s unmistakable vocal hushed in many places to an intimate falsetto, to compelling effect. Hypnotic lead single and album-opener ‘The Sapling’ bears out the nuanced approach in spades, with Gray’s rumination on the brevity of life tempered by layered vocals and a brass section including cor anglais and baritone sax. “Time ticking by is a theme that recurs throughout the record” says Gray. “Fragility, renewal, a changing of perspective.”
‘Gold In A Brass Age’ is his eleventh album in a career that spans over 25 years, several Brit and Grammy nominations, and three No.1 UK albums ‘White Ladder’, ‘A New Day At Midnight’ and ‘Life In Slow Motion’.